The Tragedy of Carmen | Opera in the Heights
Peter Brook’s 90-minute chamber adaptation of Bizet’s Carmen focuses the story on Carmen, Don José, Micaëla and Escamillo and the events leading to Carmen’s death.
Peter Brook’s 90-minute chamber adaptation of Bizet’s Carmen focuses the story on Carmen, Don José, Micaëla and Escamillo and the events leading to Carmen’s death.
Peter Brook’s 90-minute chamber adaptation of Bizet’s Carmen focuses the story on Carmen, Don José, Micaëla and Escamillo and the events leading to Carmen’s death.
A fully staged production of Handel’s 1734 opera Oreste, performed in collaboration with the Moores Opera Center and Moores School Symphony Orchestra.
Peter Brook’s 90-minute chamber adaptation of Bizet’s Carmen focuses the story on Carmen, Don José, Micaëla and Escamillo and the events leading to Carmen’s death.
Lina González-Granados conducts and Matt Hune directs Matthew Aucoin and Sarah Ruhl’s Eurydice. The Shepherd School presents the Texas premiere and first university production of the contemporary opera.
A fully staged production of Handel’s 1734 opera Oreste, performed in collaboration with the Moores Opera Center and Moores School Symphony Orchestra.
Peter Brook’s 90-minute chamber adaptation of Bizet’s Carmen focuses the story on Carmen, Don José, Micaëla and Escamillo and the events leading to Carmen’s death.
Lina González-Granados conducts and Matt Hune directs Matthew Aucoin and Sarah Ruhl’s Eurydice. The Shepherd School presents the Texas premiere and first university production of the contemporary opera.
Richard Strauss’s comedy of manners follows the Marschallin, her young lover Octavian, and the complications that arise when Octavian falls in love with Sophie.
Richard Strauss’s comedy of manners follows the Marschallin, her young lover Octavian, and the complications that arise when Octavian falls in love with Sophie.
Kern and Hammerstein’s musical follows the lives of performers aboard the Mississippi River showboat Cotton Blossom over several decades, exploring love, family and racial prejudice.
Richard Strauss’s comedy of manners follows the Marschallin, her young lover Octavian, and the complications that arise when Octavian falls in love with Sophie.